No way this passes, but I have to mention it because yesterday I received my “Maine’s Majority” stickers in the mail:

Order yours today!

This would be the first plate in Maine to give money to a private group.

North Carolina, Ohio and Tennessee have NRA plates.

Sometimes I think his “special interest” is upsetting people with whom he doesn’t agree.

Granted sometimes I think he talks first and thinks later.

Either way, he’s in the press again, this time the left-of-center Portland Phoenix has found a list of his real special interests: “LePage’s secret bankers.”

They say the new design “creates a warm, inviting seaside atmosphere.”

Check out these photos:

(AP Photo/Robert F. Bukaty)

“In this photo taken on Dec. 2, 2010, Albert Carver, looks at a 50-foot-tall Christmas tree made of lobster traps on Beals Island, Maine. Some of the top lobster-fishing ports in New England are claiming bragging rights about who has the biggest and best Christmas tree created from lobster traps. The groups that put up the trees say they draw attention to the ports’ maritime heritage, bring people together and raise money for good causes. The tree in Beals helps raises money for the Beals-Jonesport Fourth of July festivities and the one in Gloucester benefits a nonprofit devoted to the arts.”

Anyway, two weeks ago episode 6, titled “6955 kHz”, started out in Maine!

Here’s the Stockton Harbor intertitle, in the show’s 3D graphic style:

Now, to be picky, Stockton Harbor is actually only a body of water; the land near the harbor would probably be Stockton Springs or maybe Searsport.

Anyway, we meet our intrepid lighthouse keeper, who I have named “Mr. Bad Accent”:

“You cahn’t get theyah from heeah …”

Then the lighthouse keeper turns on his MacBook and all hell breaks loose:

Just as we think he’s dead, he pops up; but something’s wrong. He’s all slack-jawed and confused, and thus we begin tonight’s episode …

I don’t want to make fun of Fringe, it’s a clever show, but I have a few squabbles with the portrayal of my state in the show.

First off, bad accent. Baaaaad. But that’s almost to be expected when Maine’s on film. The majority of the audience won’t even know it’s bad.

Besides, the next location for the episode was Chinatown, and I have no idea how their accents were. Probably laughable. But I don’t know!

Secondly, lighthousekeepers? Didn’t that go the way of dial-up internet years ago?

Thirdly, his outfit. Why does everyone think that Mainers wear knit hats and wool sweaters all of the time? I blame L.L. Bean. Outdoorsman bastards!

Overall, it was a so-so episode, borrowing heavily from its cousin Lost (seriously, a radio loop of pre-recorded numbers? You barely explained that shit in Lost!) But I like the ideas of The First People. Very Zecharia Sitchin-meets-fifth sun. I like.

I’m not quite sure why she’s not wearing a shayla in the photo, though.

Every time I go to the ocean it strikes me how much energy the tides have. And it seems much more constant than wind, too.

I hope they can make this work on a larger scale …

Apparently they play fast and loose with the whole “international” aspect of the festival; three of the films were produced in the United States. But they were flicks that would be tough to see in the real world, so it worked.

Here’s a list of what we saw, with the descriptions from the website. All were interesting, but I think 3 Idiots was our favorite. And with the genius of the iTunes Store we were able to download two of the songs from the soundtrack, something that would have been impossible only a few years ago.

The Silent Enemy (1930) USA
From the early sound era comes a striking film shot amongst the Native American tribes still living on the land in southern Quebec, near the Maine border, some 80 years ago, and presented at MIFF in an amazing 35mm print. A unique and now unrecreatable record of a lost way of life – even though itself a somewhat romanticized fiction – The Silent Enemy was seen as that even at the time of its release, as witness this review from the day in Time Magazine: “Every schoolboy knows that the Indian has not yet quite vanished from the forests of the continent that was his. But no schoolbook, museum or government bureau will ever preserve the vestigial red man as this picture does…. The cast was recruited from the Ojibwas of upper Ontario…The time is before Columbus. A famine year is upon the forest. Baluk, the tribe’s big-muscled hunter, reports to Chetoga, the old chief, that their people should go “many moccasins” north without delay to the crossing place of the caribou. Dagwan, the malicious medicine man, makes it a condition of the plan that if game is not found, Baluk must die. The north wind and great snows meet the Ojibwas on their march. The Great Canoe (Death) comes for Chetoga. “The land of the little sticks” (Hudson Bay barrens) is reached…”

3 Idiots (2009) India
There’s a reason why 3 Idiots has become the biggest Bollywood film ever. Actually there’s several. First, there’s a complex and charismatic lead performance by Aamir Khan (who MIFF audiences saw last year in a different Bollywood film, the intense psychological thriller Ghajini), now easily the biggest Bollywood star on the planet. There’s an intriguing and involving story: Two friends embark on a quest for a lost buddy. On this journey, they encounter a long forgotten bet, a wedding they must crash, and a funeral that goes impossibly out of control. And there’s a winning mix of the comic, the dramatic and yes, even a fine musical number or two. “A superstar for more than two decades, Aamir Khan has never been more popular than he is today, in his mid-forties. In writer-director Rajkumar Hirani’s tuneful, enjoyable college comedy, 3 Idiots, Khan plays “Rancho,” an engineering student so brilliant that he barely has to break a sweat to place first in his class. Rancho always has plenty of energy left over to wage a guerrilla war against the institution’s emphasis on rote memorization…. In the ingenious extended finale, Rancho serves as a deus ex machina guru/savior to the ordinary mortals he has befriended along the way. Hirani embraces melodramatic convention with open arms, but he is also a crafty entertainer who smoothly choreographs his overpopulated storyline” – David Chute, Village Voice.

Ahead of Time (2009) USA – AFI Project: 20/20
An inspiration not only for her ground-breaking career, but for her vitality and humor at 98 years old, Ruth Gruber has led a life almost impossible to believe. Born in Brooklyn in 1911, she became the youngest PhD in the world before going on to become an international foreign correspondent and photojournalist at the age of 24. With her love of adventure, fearlessness and powerful intellect, Ruth defied tradition in an extraordinary career that has spanned more than seven decades. The first journalist to enter the Soviet Arctic in 1935, Ruth also traveled to Alaska as a member of the Roosevelt administration in 1942, escorted Holocaust refugees to America in 1944, covered the Nuremberg trials in 1946 and documented the Haganah ship Exodus in 1947. Her relationships with world leaders including Eleanor Roosevelt, President Harry Truman, and David Ben Gurion gave her unique access and insight into the modern history of the Jewish people. The film interweaves verite scenes with never-seen-before archival footage, and is an unforgettable portrait of an unforgettable woman.

Cell 211 (2009) Spain
Nominated for no less than 16 Goyas (Spanish Oscar equivalents), this tough as nails, absolutely riveting prison drama won eight, including Best Film of the Year this year. The story of two men on different sides of a prison riot—the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal – Cell 211 is a tension-filled drama with complex characters, a tight focus and real integrity. Its Goya winning lead acting performance by Luis Tosar is unforgettable.

Sita Sings the Blues (2008) USA
Not for nothing does this utterly wonderful and utterly unique film come trailing universal raves like Roger Ebert’s: “Astonishingly original. I am enchanted! I am swept away!” Or the Boston Globe’s: “An almost indescribable pleasure, delightful!” Sita Sings the Blues is flat out the most fun you’ll have in ages. Sita is a goddess separated from her beloved Lord and husband Rama. Nina is an animator whose husband moves to India, then dumps her by email. Three hilarious shadow puppets narrate both ancient tragedy and modern comedy in this beautifully animated interpretation of the Indian epic Ramayana. Set to the 1920’s jazz vocals of Annette Hanshaw, Sita Sings the Blues earns its tagline as “the Greatest Break-Up Story Ever Told.”